Stille musikk for nye ører

september 23, 2011

We’re diving a little bit deeper than usual, trying to translate our October triple concert into sign language. Glenn sent out this message this morning.

Google Translated: here

Einar Stray, Therese Aune og Pål Moddi Knutsen går nye veier med musikken sin, veier som ikke nødvendigvis virker opplagte. Når de tre sammen og med fullt band gjør en eksklusiv konsert i Kulturkirken Jakob 13. oktober, skjer det med et ekstra gjestemedlem på scenen: en tegnspråktolk.

”Ideen fikk vi for ikke så lenge siden da vi tilfeldigvis kom i snakk med en nyutdannet tolk”, sier Moddi. ”Det gikk opp for oss hvor lukket musikkverdenen må være for dem uten hørsel, og alle tente umiddelbart på tanken om å forsøke å åpne den opp. Etter hvert som vi begynte å arbeide med ideen, viste det seg at det var et temmelig sjeldent initiativ at bandet selv ønsket å legge opp til tegnspråktolking.”

Konserten, som er høstens første i serien ”Mathias Eick presenterer” i Jakobskirka, er fra før av temmelig eksklusiv: de tre artistene blander band, repertoarer og stemmer sammen til én konsert, et ifølge dem selv ”musikalsk naturfenomen som inntreffer omtrent en gang per solsnu, og da som oftest akkurat på de stedene der du ikke forventer det”. Tidligere har trioen gjestet bl.a. Trænafestivalen og Volumfestivalen i Elverum.

Veien fra musikk til tegnspråk er ikke nødvendigvis fri for hindringer. ”På den første øvinga innså vi hvor mye av historiene våre vi vever inn i selve melodiene og musikken – det som musikkritikerne og journalistene så desperat forsøker å finne ord for, skal vi altså selv forsøke å gjøre om til bilder på et annet estetisk språk. Det er ikke lett, men målet er å gjøre konserten like fin for alle tilstede. I tillegg er jo tegnspråk forferdelig vakkert å se på, så det blir en ekstra estetisk dimensjon i det hele selv for de som kan høre musikken selv.”

Konserten er den første spellemannsnominerte Moddi holder i Oslo på over et år. Einar Stray gir i høst sin kritikerroste debutplate ”Chiaroscuro” ut internasjonalt, mens Therese Aune nettopp er tilbake etter innspilling av det som blir hennes første fullengder. Det er duket for magi i Jakobskirka, og nå også for et helt nytt publikum!


Kaleidoscopic

september 12, 2011

http://open.spotify.com/track/2Y7QrnQcYAXTM8jQN189Ev


1 + 1 + 1 = 6

september 4, 2011

We’re on again: The seventh triple, not a myth between olympic divers, but the seventh time in three years that I, Einar and Therese join forces to make a concert like nothing else. This time under the mighty roof of Jakob Church of Culture.

Therese Aune, Einar Stray & Moddi
October 13th, Jakob, Oslo


Spin it like it’s hot

august 31, 2011

7000 digital thumbs weighs more than a ton of takk. Like Like Spinning, too like i do! She spun with us at Green Man, she’ll keep on spinning best she can. Keep spinning!


Fire with fire

august 30, 2011

…and Smoke with a rainy day in the woods. Jørgen has been doing photography for some time, and with a great deal of people following his tumblr blog. As we’re setting out for a November tour through Europe to sum up the whole Floriography era, I asked Jørgen to do his take on Smoke in his first music video ever on equipment more expensive than the clothes he’s wearing. The result is still to be seen, but Mira joined Jørgen in the woods with her camera, documenting how a video n00b gets about inbetween the trees.

The water was warmer than it looks, making a little good for the ice-cold rain that battered upon us as we walked.

All photos: Mira Wold.


Asphalt Soundtrack pt. II: Your Other Right

august 15, 2011

We have acquired a habit of driving for a couple of hours in the wrong direction before we get going where we’re actually supposed to play. In that way we get to see a lot more asphalt and junctions, and listen to a lot more music at the same time. Aren’t we lucky!

Soundtrack from Hamburg to Haldern to Bremen to Hamburg to Nürnberg (Spotify link): http://open.spotify.com/user/pindianer/playlist/5fMc0nJS80DzxLnAvpMTjn

Samamidon – Falsehearted Chicken
Razika – Vondt i hjertet
Rogue Wave – Love’s Lost Guarantee
Aloe Blacc – I Need a Dollar
Röyksopp – The Alcoholic
Radiohead – Kid A
Bombay Bicycle Club – Rinse me Down
Death Cab for Cutie – Home Is a Fire
Patrick Watson – Luscious Life
Kråkesølv – Baboatreets muligheta
Tame Impala – Solitude Is Bliss
Skrillex – Scary Monsters and Nice Sprites
Michael Jackson – Earth Song


Asphalt soundtrack Oslo – Hamburg

august 11, 2011

On our way to the Haldern, Dockville and Folk im Park festivals, nothing is more discussed than ‘what album should we listen to next?’. This is a summary of the last 24 hours of schwooshing towards Germany.

Spotify link: http://open.spotify.com/user/pindianer/playlist/48giUdJlBKRZXvT75NY1Aq

Espen Haugland Mostøl – As Long As It Brings You, It’s Good
The Roots – Adrenaline
Cold Mailman – Fifty-fifty Clown
Woven Hand – The Threshingfloor
Opeth – Closure
Tool – Schism
Like Spinning – Volcano
Death Cab For Cutie – Title Track
Beirut – Nantes
Like Rats from a Sinking Ship – Undr3553d 4 5ucc355
John Butler Trio – Oldman
Mozart – piano concert #24


From Russia with dill (and a diary like hen tracks)

juli 30, 2011

Tromsø – Arkhangelsk – Korjazjma – Kotlas – Vatsa park – Solvytchegodsk – Arkhangelsk – Murmansk – Tromsø.

No computer, no internet, no phone: no microblogging. During our week-long trip to tiny Russian towns, I have been blogging in real-time with pen and paper. Here’s an extract.

1. In a bus on kangaroo gas through Arkhangelsk. No seat belts. Woke up in an airplane wrenching in break pains. It is seven in the morning, local time, after the plane from Tromsø was nine hours late. The bus passes by empty industry halls, huge chimneys peacefully puffing out white smoke. Everything smells burnt. We drive alongside an endless train, the gear-box crackles and moans in and out of every crossing. We’re eight metres above the river Dvina.

3. The bus is glowing. Four hours in 45 degrees now, the sunroof howls. We stop to fill gas – all twenty-five out of the bus. The Russians in the group listen to ACDC, The Offspring and the Amelie soundtrack on thin-sounding mobile phone speakers while waiting in the heat. Talking frantically and loudly in Norwegian to the lady in the kiosk, I manage to buy half a litre of kvass, a drink with the same ingredients as bread. It tastes like bread, too. She keeps the change.

6. The only road to Korjazjma has gravel surface, is broad as Dvina itself and long as a bad year. I see empty bus shelters every five minutes, and my hair feels like steel wool. We’ve been driving for ten hours as I see animals for the first time.

7. We’ve arrived Korjazjma and our hotel at Lenin Square, just at the end of Lenin Street. The shower coughs and hawks for five minutes before spewing out a red-brown soup. I dive into it like an animal that has found water in the desert. The toilet doesn’t flush. No Internet, so I call Mamma to get the last news about the attacks in Oslo. The call lasts for 1 minute and 50 seconds and costs €6.

8. Meat balls, barley rice and pancakes for breakfast – I left my vegetarianism at the border. A tiny cup of syrup with tea in it. Everything is decorated with dill, a vegetable that Norwegians will remember for 90′s potato chips. I love it! I’m sharing table with a Russian circus troupe. They don’t speak English, and the acoustics of the room do not allow a conversation as long as one metre anyway.

11. Д = d. б = b. 3 = z. y = o. И = i. Ю = io. Etc.

16. 10PM: A river! For half an hour, I’m drifting slowly with eyes closed in knee-deep water warmer than the air above it. There’s disco from a casette player and the sun sets. If I just could fall asleep and keep floating, I would wake up in the White Sea after a couple of days.

18. We’re in the middle of a tivoli in the city of Kotlas – merrygorounds and sugarfluff and radio cars, but almost no people. The huge open-air stage is made of bricks and look like an oversized outhouse with one of the walls torn down. There’s no sound system, but a voice informs that “we will bring some devices at 2PM”. The sun still burns on white Norse skin.

24. A random man in the street proudly shows us the headrest in his car, neatly hidden under a white blanket: a huge pair of plastic boobs kindly enclosing a stressful Russian driver’s neck. We laugh and move on.

27. I don’t feel the smell anymore! The first thing I noticed when we landed in Arkhangelsk was a stinging, burnt smell like bonfires in sooty grass. Now everything smells of fresh woodwork, cellulose, cow dung and wet paint. The rain is bucketing down as we enter the stage, but all the thirty people watching us are enthustiastic. I write one autograph after the show.

32. The man, an old and grey father, is crying. He tells us the story of the six men from Korjazjma who lost their lives in Sovjet’s war in Afghanistan 25 years ago. His son was one of them. In memory of the dead, we fold paper flowers – one from each participant on the festival, and one from each inhabitant of the city. I try adding a personal twist to my little piece of art, but a steady Russian hand sneaks in from the side and corrects my ‘flaws’. The flower is beautiful in the end.

33. In the airconditioned, cool discobar of the culture house, we order a random pizza and find free internet for the first time. Everything, from Al-Jazeera to BBC, is about Norway, and my favourite podcast, P2′s Søndagsavisa, is extended from its usual 42 megabytes to 104. I understand that people at home have a lot to think and talk about now.

34. The opening ceremony of the Komanda 29 Festival is a mixture between a military parade and a disco ball. Organised in lines and columns in a clearing in the pine forest, the different groups of youths shout out a line each to present themselves. The show hosts, two silver-dressed men of an undefineable age, guide us in Russian through unison eurodisco and trim-hop in sweating red latex costumes. We sing an extended version of Russia’s national anthem, and every time I try to sing along, I get evil eyes from the people around me. I sing anyway.

35. What the! For evening entertainment on the main stage of the youth festival: two night club dancers imported from Arkhangelsk, dressed in body-tight black swimming suits with plenty of holes to sneak in a ruble or two. We’re watching from a safe distance, but can’t help to feel puzzled.

47. As we’re visiting an ancient church in Solvytchegodsk, I get in touch with a girl from Arkhangelsk who instantly recognise my windmill t-shirt. She’s been working together with the Norwegian NU, Nature and Youth, to put a halt to the plans of constructing “fourteen floating nuclear power plants” in the city of Severodvinsk. I have no idea what she’s talking about, but agree that it sounds like a good idea to stop it. She too crosses herself on the way in and out of the church, and keeps her head scarf on.

51. The concert went well, and as we’re about to leave the festival camp, a thick grey cloud drifts in from the trees. Forest fires have been spreading rapidly the last weeks in the whole region, and from a hilltop earlier today I could see the smoke rise in the distance. The festival kids gather unaffected around a campfire, guarded by five firemen who watch every spark. An atonal yet whole-hearted song rises around it. The first song is called “пожар” – fire.

54. Up at four in the morning for the bus back to Arkhangelsk, ready for fifteen hours on the bumpy gravel road again. I’ve had four hours of sleep, Nikolai has been sitting at the stairs of the hotel entrance and tought a couple of Russian girls how to say “you have nice legs” in Norwegian. We drive. Every five minutes, the bus passes a wooden cross or a steering wheel decorated with plastic flowers and after ten hours on the road we are again driving on plain asphalt…for six minutes. I’m sleeping to the sound of German podcasts.

63. Last night in Russia for now: on a nightly walk, our tour leader Odd-Halvdan wants to show us the newly renovated culture palace. At the entrance to the park surrounding it, we meet a couple who smell of both puff and clunk. As Odd-Halvdan’s presentation reaches the unrealised possibilities of 6000-watts theatre bulbs, the couple take a well-known posture at their bench: love in a warm Northrussian white night.

69. At the airport in Murmansk, I spend my last rubles on two gingerbread ducks. Thank you, dear Russia, for a magical week of music, sweat and dill!


A day that shouldn’t come

juli 23, 2011

I guess I’m as confused as everyone else. I thought Norway had suffered its worst moment in history when the government building was struck by a massive bomb yeaster – the kind of devastation that you only see in movies. Then the reports of shootings at Utøya came in. Through the night the death toll only grew. For now, the number rests on 85 killed youths. I finally got some sleep at 4AM, and was up again at 8AM this morning, only to see it wasn’t a nightmare or a bad dream.

It was all done by one man. The bomb went off just a few hundred metres from my flat in Oslo. Not that it matters, the massacre on the youth camp on Utøya is what weighs my heart down today. I know people that were there. I don’t know how they are now. All my thoughts go to the killed, the wounded and the friends and families of the victims. I wish I could help you with more than words and warm thoughts.

Somehow, though, I know that whatever was the goal of this man, he won’t reach it. Knowing that a man of Norwegian origin and of our own culture can cause a nightmare like this to happen will hopefully make us wish for a new direction for our own society. A place without people getting filled with hatred of this kind.

Right now, at the airport in Tromsø on my way to Russia, I feel both powerless and strong at the same time. I believe that meeting people and trying to understand each other is a key to peace in this world. At the same time, I feel sorry for everyone in Oslo, in Utøya, and everyone affected by it. I wish I could do more. I send you all my warmest thoughts.


Keep playing forever

juli 17, 2011

You don’t always choose when your brain wants to philosophise. After our show with Angus and Julia Stone in Dublin last year, the heavy snowfall and high waves forced us to cancel the Glasgow show and stay behind in Ireland (Erik proved his vikinghood by going there anyway to see Godspeed You Black Emperor, but that’s a different and just as fantastic story). On our sudden day off, we were invited home by none other that Damien Rice (who turned 37 the day after, but that’s also another story), who guided the four of us through Greystones, a windy little town just outside Dublin with the eco café Happy Pear as a natural origo.

Damien was not surprisingly a normal human being, a guy who had studied engineering before his creativity forced him to try music as a full-time hobby, and kept on doing it for quite a while. When I met him, he had just cancelled a solo show some lightyears away – he was tired, and more interested in talking about his film project than about music. Music was something of the past, a thing that grew out of hand and out of reach for the control-freak engineer. He wanted to start on scratch, on a project where he could make his own rules again.

So yesterday, in a barn in Dyrøy, my brain came on. Two Russian clowns, Hranit and Lillya, were having a fight. The younger Lillya was doing all she could to get the elder Hranit, a former orchestra violinist, with her to play on the nearby Festiwala. The plot was simple enough. The morale too: who should have the right to decide over the other? Does pure lust and initiative sometimes outweigh talent and skills?

The string of thoughts isn’t anywhere near of even getting really started. Hranit and Lillya left me crying on a bench in the encapsulating darkness of the barn, with children already having captured the stage and transformed it into a playground. I wonder what would happen if they kept on playing forever.


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